Well, let me tell ya somethin’ about this fella, John Coltrane, and his music. I ain’t no fancy music expert, but I know what I like, ya know? And lots of folks like that Coltrane fella’s tunes. So, let’s talk about what makes his music so special, the kind of stuff you just can’t ignore.
First off, this man, he could play that horn like nobody’s business. Folks say he had a “beautiful tone.” Now, I don’t know all them fancy words, but I know it sounded good. Real good. Like smooth butter melting on a hot biscuit, but also sometimes like a wild wind blowin’ through the cornfields – powerful and kinda makes you shiver a bit. He was what they call “technically proficient,” too. That just means he was darn good at playin’, knew his way around that horn real well. He could play fast, he could play slow, he could play it all. And lordy, could he make that horn sing!

Then there’s this thing called “harmonic manipulation.” Sounds complicated, right? Well, it kinda is, but think of it this way: he took the regular ol’ music notes and chords, and he twisted ’em around, made ’em do things you wouldn’t expect. He stretched ’em out, squeezed ’em together, made ’em sound all new and different. Like takin’ a simple quilt pattern and addin’ all sorts of fancy stitches and colors. It makes it more excitin’, makes you pay attention. Some folks say he was a real pioneer with this stuff, especially when it comes to “modes” and “free jazz.” Don’t ask me what that means exactly, but it sounds important!
- One tune everyone talks about is “Giant Steps.” It’s a fast one, real energetic. Makes you wanna tap your feet and maybe even get up and dance a little, even if you got creaky old knees like mine. It’s got this 16-bar form thing goin’ on, whatever that is. But you can hear it, the way it repeats but changes, keeps you guessin’.
- Then there’s “My Favorite Things.” That one’s kinda different, it’s in a key called E minor. Again, I ain’t no music teacher, but it sounds kinda sad but also pretty. Like a cloudy day with a little bit of sunshine peekin’ through. Folks seem to really like this one, says it’s real popular.
Now, some folks say Coltrane didn’t talk much about all the theory behind his music. He just played. Maybe he didn’t wanna give away all his secrets, or maybe he just didn’t think about it too much. Just let the music flow, ya know? Like when you’re makin’ a stew, you don’t measure every little pinch of salt, you just know how much to put in to make it taste right.
But other folks, they try to figure it out. They say he was influenced by this Benny Golson fella and his way of writin’ music. They talk about his “sheets of sound.” Now, that’s an interestin’ way to describe it. Imagine takin’ a whole bunch of cloth and lettin’ it flow in the wind – that’s kinda what his music sounds like sometimes. Lots and lots of notes, all comin’ at you at once, but somehow it all fits together. It’s like he’s playin’ so many notes so fast, it’s like a waterfall of sound. He recorded a lot of music, too, both by himself and with other famous fellas like Miles Davis and Thelonious Monk. Seems like everyone wanted to play with him.
So, what’s the deal with John Coltrane’s music? Well, it’s got a lot of things goin’ for it. It’s got that beautiful sound, it’s got that fancy harmonic stuff, it’s got that energy and emotion. It’s got that thing that makes you want to listen again and again. And even though I can’t tell you all the fancy musical reasons why it’s so good, I can tell you it makes me feel somethin’. And that, to me, is what makes music special. It ain’t about the fancy words or the complicated theories, it’s about the feelin’ it gives ya, right here in your heart. It makes ya think, it makes ya feel, sometimes makes ya wanna cry a little bit, makes you feel alive. And that John Coltrane fella, he sure knew how to make music that does all that and more. He just had a way of making that horn talk, and when it talked, people listened.
And that, I reckon, is the feature of many a John Coltrane tune.

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